Tag Archives: ARTECHOUSE

Bistro Bis — Lunch on 12 July 2019

After an hour or so at the “Infinite Space” installation at ARTECHOUSE, I headed over to Capitol Hill for a late lunch.

Bistro Bis

Bistro Bis

Bistro Bis is a 10-minute walk from the Senate Office Buildings north of the Capitol, which should tell you pretty much all you need to know about its clientele. The interior is beautifully done, with multiple dining areas on two levels. It’s a charmer.

Bistro Bis Interior (Image from Bistro Bis website)

Bistro Bis Interior (Image from Bistro Bis website)

Duck Confit

Duck Confit

I’d talked to a friend a few days earlier, and the conversation turned to duck confit, as my conversations so often do. It occurred to me then that since I’d titled my current life-improvement project as the “Bastille Day Revival”, and since dining well was a key part of the Revival agenda, there’d be no better way to start it than by ordering that classic French dish. And where could I find one of the best versions of duck confit in Washington? Well, it wasn’t simply chance that brought me back to Bistro Bis.

The duck was served on a bed of wilted spinach and beans, with baby shallots and a good gastrique. Excellent as ever. I could live on this.

Pommes Frites

Pommes Frites

I chose Pommes Frites, with spicy harissa and rosemary aïoli dipping sauces, for my side dish.

This meal made me happy. Thanks to ARTECHOUSE and Bistro Bis, the Bastille Day Revival was off to a great start.

“Infinite Space” at ARTECHOUSE

“Infinite Space, the first major retrospective of the work of award-winning, Los-Angeles-based, Turkish-born artist Refik Anadol, invites visitors to open their senses to the endless transformation and infinite possibilities at the intersection of man and machine.”
—from the program notes

That quote got me thinking about the endless transformation and infinite possibilities at the intersection of me and my vacuum cleaner, but perhaps I was taking it too literally.

The current environment in the main room at ARTECHOUSE suffered from a long, dull opening sequence that drove many of us from the room. It was only later that the artist gave us a taste of the mesmerizing beauty that keeps us coming back to the venue:

The walls in ARTECHOUSE’s main room are 30-feet high, so the video is best viewed full screen.

The real fun at this show was in the Infinity Rooms in the side galleries, where mirrored, angled walls created a high tech funhouse effect. Seeing two people who look vaguely familiar simultaneously approaching you from a corridor on your right and from a side hall on your left, and then realizing that they’re both you, is a wonderfully disorienting experience.*

If you wanted, you could be a one-person chorus line.

Two’s company, four’s a crowd.
Look closer. There are only four people in this picture.

“Infinite Space” will run through 2 September 2019.

The Lady From Shanghai
That Scene from Orson Welles’ 1947 film noir.

*Even though those two people are considerably older and heavier than you are.

“In Peak Bloom” — Sound and Light and Colour and Movement

ARTECHOUSE, one of my favourite hangouts in DC, launched a brilliant new immersive experience last week. It’s called “In Peak Bloom”, and it’s perfectly timed for the arrival of Spring in Washington. You can see a sample of the new show in the above video. The projected HD graphics respond to the movements and gestures of members of the audience, making them participants in this a highly interactive environment.

ARTECHOUSE has outdone Itself with this one.

A little added touch. At the Augmented Reality Cocktail Bar in ARTECHOUSE, the coasters at the bar let you compare the “normal” appearance of a drink, on the left, with the augmented version, on the right.

Return to ARTECHOUSE (with Much Better Video)

I had a delightful visit from my Left Coast brother and sister-in-law this week, which included another trip to ARTECHOUSE, to see touch experience the current “New Nature” installation.

I’ve never been able to come close to capturing the HD quality of ARTECHOUSE’s visual displays with my IPad, but I’ve found some online samples from the shows.

In “New Nature”, a side room contains “The Menagerie”, a collection of large monitors displaying fluid abstract designs. The “creatures” on screen respond to the hand movements of the person watching the monitor.

Like this:

Here’s an overview of the current installation. The main room, at the start of the video, is 24 feet high*, and the installation covers 270°.

Love this place! ARTECHOUSE has become one of my favourite hangouts in Washington.

*To put that in perspective, imagine four six-foot-tall people, standing on each other’s heads. Or imagine six four-foot-tall people, standing on each other’s heads, if that works better for you. The point is, it’s big.

“Fractal Worlds” at ARTECHOUSE

The current show at ARTECHOUSE, “Fractal Worlds” by Julius Horsthuis, is the venue’s most impressive immersive experience since Thomas Blanchard’s “Kingdom of Colors” played last November.

Here’s a brief video I took at the site, offered with the usual apology:  My decidedly low-tech hardware comes nowhere close to capturing the beauty and power of the huge HD projections on the site’s walls. The image at the top of this post is from the program notes, and gives a hint of the clarity and detail of the show.

Some images from the show:

“Cherry Blossom Dream” at ARTECHOUSE

I was away from Washington during this year’s cherry blossom peak bloom, which is one of those times when the city is at its most beautiful. By the time I returned, not a petal remained.

But I got back in time to make it to the Sakura Yume’s immersive “Cherry Blossom Dream” at ARTECHOUSE.

The display reacts to body movements and gestures, so you can throw splotches of colour on the walls simply by waving your hand.

This was my fourth or fifth visit to ARTECHOUSE, and some of my initial fascination with the concept has diminished as my familiarity with it has increased, but it’s still a wonderful place to spend an hour or so.

“Kingdom of Colors” — The View from the Floor

Here’s some video I shot during a daytime visit to ARTECHOUSE’s “Kingdom of Colors” installation, which I wrote about yesterday.

Because it was shot in a darkened room, the video quality is poor, and the sharp and saturated colours of the projection are blurred and murky, but this should give you some idea of how it felt to experience the show. Watch it on full screen for best results.

What an intoxicating afternoon I had!

2018 New Year’s Resolution Number 1

Since I’m going to post videos, I’ll spend a couple of days learning about video editing and use of editing features. Simply slapping together random strings of raw footage might be good enough for Michael Bay and Uwe Boll, but my viewers deserve better.