“Infinite Space, the first major retrospective of the work of award-winning, Los-Angeles-based, Turkish-born artist Refik Anadol, invites visitors to open their senses to the endless transformation and infinite possibilities at the intersection of man and machine.”
—from the program notes
That quote got me thinking about the endless transformation and infinite possibilities at the intersection of me and my vacuum cleaner, but perhaps I was taking it too literally.
The current environment in the main room at ARTECHOUSE suffered from a long, dull opening sequence that drove many of us from the room. It was only later that the artist gave us a taste of the mesmerizing beauty that keeps us coming back to the venue:
The walls in ARTECHOUSE’s main room are 30-feet high, so the video is best viewed full screen.
The real fun at this show was in the Infinity Rooms in the side galleries, where mirrored, angled walls created a high tech funhouse effect. Seeing two people who look vaguely familiar simultaneously approaching you from a corridor on your right and from a side hall on your left, and then realizing that they’re both you, is a wonderfully disorienting experience.*
If you wanted, you could be a one-person chorus line.
Two’s company, four’s a crowd.
Look closer. There are only four people in this picture.
“Infinite Space” will run through 2 September 2019.
The Lady From Shanghai
That Scene from Orson Welles’ 1947 film noir.
*Even though those two people are considerably older and heavier than you are.